Woman John Lennon (babes, you help me be all that I can be) ...cal
Saddam's double was hanged
33 Degree Masons
Excerpt:
Saddam Hussein
Burl Icle Ives
Excerpt:
1950s: Communist blacklisting
Ives was identified in the 1950 pamphlet Red Channels and blacklisted as an entertainer with supposed Communist ties.[21] In 1952 he cooperated with the House Unamerican Activities Committee (HUAC) and agreed to testify. He stated that he was not a member of the Communist Party but that he had attended various union meetings with fellow folk singer Pete Seeger simply to stay in touch with working folk. He stated: "You know who my friends are; you will have to ask them if they are Communists."[22]
Excerpt:
Pete Seeger | |
---|---|
Seeger at the Clearwater Festival 2007. | |
Background information | |
Birth name | Peter Seeger |
Born | May 3, 1919 French Hospital, Manhattan, New York |
Genres | Protest music Americana American folk music |
Occupations | Musician, Songwriter, activist, Television host |
Instruments | Banjo, guitar, recorder, mandolin, piano, ukulele |
Years active | 1939–present |
Labels | Folkways Records Columbia/CBS Records Vanguard Records Sony Kids’ Music/SME Records |
Associated acts | The Weavers, The Almanac Singers, Woody Guthrie, Arlo Guthrie, Tao Rodríguez-Seeger Leadbelly |
Notable instruments | |
Banjo, Twelve-string guitar |
Peter "Pete" Seeger (born May 3, 1919) is an American folk singer and an iconic figure in the mid-twentieth century American folk music revival[1] A fixture on nationwide radio in the 1940s, he also had a string of hit records during the early 1950s as a member of The Weavers, most notably their recording of Leadbelly's "Goodnight, Irene," which topped the charts for 13 weeks in 1950.[2] Members of The Weavers were blacklisted during the McCarthy Era. In the 1960s, he re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, and environmental causes.
As a song writer, he is best known as the author or co-author of "Where Have All the Flowers Gone?," "If I Had a Hammer (The Hammer Song)," (composed with Lee Hays of The Weavers), and "Turn, Turn, Turn!," which have been recorded by many artists both in and outside the folk revival movement and are still sung throughout the world. "Flowers" was a hit recording for The Kingston Trio (1962), Marlene Dietrich, who recorded it in English, German and French (1962), and Johnny Rivers (1965). "If I Had a Hammer" was a hit for Peter, Paul & Mary (1962) and Trini Lopez (1963), while The Byrds popularized "Turn, Turn, Turn!" in the mid-1960s, as did Judy Collins in 1964. Seeger was one of the folksingers most responsible for popularizing the spiritual "We Shall Overcome" (also recorded by Joan Baez and many other singer-activists) that became the acknowledged anthem of the 1960s American Civil Rights Movement, soon after folk singer and activist Guy Carawan introduced it at the founding meeting of the Student Nonviolent Coordinating Committee (SNCC) in 1960. In the PBS "American Masters" episode Pete Seeger: The Power of Song, Seeger states it was he who changed the lyric from the traditional "We will overcome" to the more inspirational "We shall overcome".
Excerpt:
Reuben James saving Decatur
Excerpt:
Kenny Rogers Reuben James
Reuben James in my song you'll live again
And the phrases that I rhyme are just the footsteps out of time
From the time when I knew you Reuben James
Reuben James all the folks around Madison Caunty cussed your name
Just a no count sharecroppin' black man who'd steal anything that he can
And everybody laid the blame on Reuben James
Reuben James you still walk the furrowed fields of my mind
Faded shirt the wrinkled brow the calloused hand upon the plow
I loved you then and I love you now Reuben James
Flora Gray the gossip of Madison County died with child
And although your skin was black you were the one who didn't turn your back
On a hungry white child with no name Reuben James
Reuben James with your mind on my soul and Bible in your right hand
You said turn the other cheek there's a better world waitin' for the meek
In my head these words remain from Reuben James
Reuben James you still walk...
Reuben James one dark cloudy day they brought you from the fields
To your lonely pinebox came a preacher me and the rain
To sing one last refrain for Reuben James
Reuben James you still walk...
Reuben James you still walk...
Catcher in the Rye, Part 1
Excerpt:
The Catcher in the Rye is a 1951 novel by J. D. Salinger.[3] Originally published for adults, it has since become popular with adolescent readers for its themes of teenage confusion, angst, alienation, language,[4] and rebellion.[5] It has been translated into almost all of the world's major languages.[6] Around 250,000 copies are sold each year, with total sales of more than 65 million.[7] The novel's protagonist and antihero, Holden Caulfield, has become an icon for teenage rebellion.[8]
The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923,[9] and it was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged[10][11][12] in the United States and other countries for its liberal use of profanity and portrayal of sexuality and teenage angst. It also deals with complex issues of identity, belonging, connection, and alienation.
Excerpt:
Excerpt:
PAUL:
Excerpt:
On December 30, less than two days before the beginning of the year 2000, former Beatles member George Harrison was attacked and stabbed in his home outside London. Harrison would very likely have been killed if his wife Olivia hadn't smashed a lamp on the attacker's head.
Considering what happened to Harrison's former bandmate John Lennon on the streets of New York almost exactly 19 years before, and considering the Beatles' key, pivotal role in the mass social experimentation carried out by Britain's Tavistock Institute in conjunction with covert intelligence agencies like the CIA, NSA and Britain's MI5/MI6, we'd say there is a strong likelihood that Harrison, like Lennon, was NOT the victim of some random act of senseless violence.
Excerpt:
Knife attack
In late 1999, Harrison survived a knife attack by an intruder in his home.[161] At 3:30 am on 30 December 1999 36-year-old Michael Abram broke into the Harrisons' Friar Park home and began loudly calling to Harrison. Harrison left the bedroom to investigate while his wife, Olivia, phoned the police. Abram attacked Harrison with a kitchen knife, inflicting seven stab wounds, puncturing a lung and causing head injuries before Olivia Harrison incapacitated the assailant by striking him repeatedly with a fireplace poker. The attack lasted approximately 15 minutes.[162] Abram, who believed he was possessed by Harrison and was on a "mission from God" to kill him, was later acquitted of attempted murder on grounds of insanity, but was detained for treatment in a secure hospital. He was released in 2002 after 19 months' detention.[163] Since John Lennon's assassination in 1980, Harrison had rarely made public appearances, except at tightly controlled settings such as Rock and Roll Hall of Fame inductions.
Excerpt:
Watched by the couple's son Dhani, 22, Mrs Harrison told how she grabbed a heavy table lamp and began swinging it at Abrams, who gripped the cord of the lamp and began pulling it towards him. Mrs Harrison threw the lamp at him and ran downstairs to find the police had arrived.
Paul McCartney is Dead
Excerpt:
The song tells of various people who were present, frequently in an oblique manner ("Yoko brought her Walrus", referring to Yoko Ono and John Lennon), with a chorus:
But it's all right now, I've learned my lesson well
You see, you can't please everyone, so you've got to please yourself
One more reference in the lyrics pertains to a particularly mysterious and legendary audience member: "Mr. Hughes hid in Dylan's shoes, wearing his disguise". The Mr. Hughes in question was not a Howard Hughes reference, as is widely believed, but refers to ex-Beatle, George Harrison, who was a good friend and next-door neighbor to Nelson. Harrison used Hughes as his traveling alias, and "hid in Dylan's shoes" is most likely in reference to an album of Bob Dylan covers Harrison was planning, but never recorded. "Wearing his disguise" fits in with the fact that Harrison traveled incognito.
The lines "Out stepped Johnny B. Goode / Playing guitar, like a-ringing a bell" refer to Chuck Berry and his song "Johnny B. Goode".
In the final verse of his song, Nelson sang, "But if memories were all I sang / I'd rather drive a truck."
Cal
My heart is where my treasure lies,
My reward is in your eyes.
My reward is in your eyes.
No comments:
Post a Comment